Friday, 15 January 2016

Buried Under Noise 001: Dragged Into Sunlight

What is Buried under Noise? Buried under Noise is a segment where we showcase profile of bands that deserve greater attention. These are bands that have created unique, distinct sounds and pushed extreme music in a subculture stereotyped with stagnation.

This week, we look at Dragged Into Sunlight (UK).


Dragged Into Sunlight





Nocturnal creatures reign at night. They lurk behind the shadows, plotting beneath the moonlight. Drag them out during the day, they screech at high pitch and you get a glimpse of how horrendous they are. The wrinkle on the skin of bats, make you understand why they hide behind the darkness.


Dragged Into Sunlight, like their name suggests, are like those bats, vampires or what other ghouls exist in the night. The subject matter of their lyrics is exposed under the light and they crawl back into the darkness.





If other extreme Metal bands sing about darkness in the supernatural sense, Dragged Into Sunlight uses sound clips from our actual media. Repeating in the background like in a post apocalyptic movie intertwined with white noise.



Dragged Into Sunlight is an extreme Metal band from the UK that manages to combine Black and Death Metal with the knuckle dragging intensity of Sludge Metal. Their aim seems to be to create the most terrifying sounds you can combine from the most evil subgenres of Metal. This band is the British equivalent of Lord Mantis and one the front runners of this new wave of Blackened Sludge.




Playing with a sense of paranoia, the band also refuses to reveal their identities. All members wear balaclava and the band prefers the word "collective" instead of band. Meaning, the band is rotational and no number is fixed, making it harder for people to pin down who's who. So don't bother try figuring out who they are. They probably don't want you to, and hate the breach of privacy in the process.


With the combination of high shrieks, at times furious double bass gets dragged across sludgy fields at a devastating slow pace. Traditional Black Metal, especially the Norwegian branch employ blast beats and snare abuse. Making them good friends with Thrash, thus cross pollinating to create Blackened Thrash. It wouldn't be a stretch to hear Marduk and years later, someone can easily conjure something closer to Skeletonwitch.




The "Blackened Sludge" Dragged into Sunlight employs, takes a look at Sludge from New Orleans, one of the more underlook genres in Metal. While bands under that moniker sing about drug abuse, depression and entrenched poverty in rural America, Dragged Into Sunlight injects the grim British weather and amp up the psychological torture.


Their debut album, Hatred for Mankind eschews plays upon nihilistic poetry; something that lives up to the name of the album. Even the first few seconds using torturous samples, that are ubiquitous in Sludge and Industrial manages to create that dreaded atmosphere.


Source: Noisey


Dragged Into Sunlight recently released a collaborative album with Gnaw Their Tongues, their French counterpart. This is not your regular split album. This is them writing songs alongside Maurice, the sole member of the band to create the most menacing concoction of this new wave of Blackened Sludge.


They will be touring extensively in 2016 with dates across Europe and the United States. Be sure to check them out if you have chance.


So for those who think extreme music is stagnant, try checking out Dragged Into Sunlight.



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